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These two men are great examples of men who wanted their names aligned with prestigious archaeological finds and leaving a legacy instead of preserving what the ancient Minoan and Mycenaean culture originally had provided. Taking some liberties with what the similar art at the time had was likely expected from archaeologist and ancient restoration artists, but clearly Heinrich Schliemann wanted fame over authenticity in his changing of The Mask of Agamemnon. The mask didn’t match similar masks found at the same time and it was clear Schliemann thought his discovery was Agamemnon. Sir Arthur Evans already found an amazing discovery when he found his “Palace’ but his true intentions showed themselves over and over. Sir Arthur used a man name Emile and his son Emile to help excavate the Palace of Knosses and to help with restoration illustrations. The conflict in interest lies in how Emile and his son had a very successful reproduction business already and many of their art works they fragmented together from the evacuation site have since been proven to be put together incorrectly and with incorrect cultural meaning. Sir Arthur Evans aligning himself with these men does not add to his credibility. Sir Evans was also remembered for his naming of the Snake Goddess. Both the “Palace’ and the “Goddess’ seem to be inflated names for more basic and non-famous finds.